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Vintage gelatin silver print, printed 1979. From an unmarked edition of 100. Signed & dated in pencil in the margin. Image size: 8 ½ x 12 ¾ inches. Print size: 11 x 14 inches. Mat size: 16 x 20 inches. Jack Welpott Archives have been donated to The Center for Creative Photography at the University of Arizona. Education: BS, BS and MFA, Indiana University, Bloomington. Grant from the National Endowment for the Arts in 1973; and, in 1983, a Polaroid grant in association with the Museum of Photographic Arts, San Diego. Gallery Representation: Barry Singer Gallery, Petaluma, CA and Scott Nichols Gallery, SF. He was represented by Witkin Gallery, NY in the 1970s-80s. Welpott was hired by John Gutmann to teach photography in the Art Department at San Francisco State College, now San Francisco State University, where he made significant contributions to the field of photographic education over the next 33 years. In the early 1960s, when few photography courses were offered, Welpott established a graduate program, and taught one of the first “history of photography” courses at the college level. A number of his students have had successful photographic careers including Michael Bishop, Judy Dater, Harvey Himelfarb, Leland Rice, Catherine Wagner, and John Spence Weir. Exhibitions: One-person show: Center for Creative Photography, Tuscon 1979. University of Colorado, Boulder 1977. One-person show: San Francisco Museum of Modern Art 1976-7. Two-person show: Witkin Gallery, NY 1974. Whitney Museum of American Art, NY 1974. Two-person show: George Eastman House, Rochester, 1973. One-person show: Art Institute of Chicago 1972. George Eastman House, 1967. Paul Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others.

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Vintage gelatin silver print, printed 1979. From an unmarked edition of 100. Signed & dated in pencil in the margin. Image size: 8 ½ x 12 ¾ inches. Print size: 11 x 14 inches. Mat size: 16 x 20 inches. Jack Welpott Archives have been donated to The Center for Creative Photography at the University of Arizona. Education: BS, BS and MFA, Indiana University, Bloomington. Grant from the National Endowment for the Arts in 1973; and, in 1983, a Polaroid grant in association with the Museum of Photographic Arts, San Diego. Gallery Representation: Barry Singer Gallery, Petaluma, CA and Scott Nichols Gallery, SF. He was represented by Witkin Gallery, NY in the 1970s-80s. Welpott was hired by John Gutmann to teach photography in the Art Department at San Francisco State College, now San Francisco State University, where he made significant contributions to the field of photographic education over the next 33 years. In the early 1960s, when few photography courses were offered, Welpott established a graduate program, and taught one of the first “history of photography” courses at the college level. A number of his students have had successful photographic careers including Michael Bishop, Judy Dater, Harvey Himelfarb, Leland Rice, Catherine Wagner, and John Spence Weir. Exhibitions: One-person show: Center for Creative Photography, Tuscon 1979. University of Colorado, Boulder 1977. One-person show: San Francisco Museum of Modern Art 1976-7. Two-person show: Witkin Gallery, NY 1974. Whitney Museum of American Art, NY 1974. Two-person show: George Eastman House, Rochester, 1973. One-person show: Art Institute of Chicago 1972. George Eastman House, 1967. Paul Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others.

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Richard Misrach American, b. Vintage Ektacolor print, printed 1979. From an unmarked edition of 100 (15/100). Signed & dated in pen in margin. Image size: 10 ½ x 10 ½ inches. Print size: 11 x 14 inches. Mat size: 16 x 20 inches. Condition: Excellent, slight discoloration on right edge, not affecting the image. Richard Misrach (born 1949) is an American photographer. Nancy Princenthal has said that he is “firmly identified with the introduction of color to’fine’ [art] photography in the 1970s, and with the use of large-format traditional cameras”. David Littlejohn of The Wall Street Journal calls Misrach “the most interesting and original American photographer of his generation, ” describing his work as running parallel to that of Thomas Struth and Andreas Gursky, two German contemporaries. Littlejohn notes that all three used a large scale color format that defied the expectations of fine art photography at the time. Misrach is widely recognized as one of this century’s most internationally acclaimed photographers. He has photographed the deserts of the American west, and made a series documenting the changes brought to bear on the environment by various man-made factors such as urban sprawl, tourism, industrialization, floods, fires, petrochemical manufacturing, and the testing of explosives and nuclear weapons by the military. Curator Anne Wilkes Tucker writes that Misrach’s practice has been driven [by] issues of aesthetics, politics, ecology, and sociology. ” In a 2011 interview, Misrach noted: “My career, in a way, has been about navigating these two extremes – the political and the aesthetic. ” Describing his philosophy, Tracey Taylor of The New York Times writes that “[Misrach’s] images are for the historical record, not reportage. The Street People of Telegraph Avenue, Berkeley, Cornucopia Press, Berkeley, CA, 1974. (untitled photographic book), Grapestake Gallery, San Francisco, CA, 1979. Desert Cantos, University of New Mexico Press, Santa Fe, NM, 1987 (first and second editions). Desert Cantos (Japanese edition), Treville Corporation Ltd. Desert Cantos, University of New Mexico Press, Santa Fe, NM, 1988 (third edition). Bravo 20: The Bombing of the American West (with Myriam Weisang Misrach), Johns Hopkins University Press, Baltimore, MD, 1990. Violent Legacies: Three Cantos (with fiction by Susan Sontag), Aperture, New York City, 1992. Violent Legacies: Three Cantos (with fiction by Susan Sontag), Aperture, New York City, 1994 (softcover edition). Crimes and Splendors: The Desert Cantos of Richard Misrach, Museum of Fine Arts, Houston, TX, 1996. Cantos del Desierto, Diputacion de Granada, Granada, Spain, 1999. The Sky Book, Arena Editions, Santa Fe, NM, 2000. Richard Misrach: Golden Gate, Arena Editions, Santa Fe, NM, 2001. Pictures of Paintings, Blind Spot/Powerhouse Books, 2002. Richard Misrach: Chronologies, Fraenkel Gallery, San Francisco, CA, 2005. Richard Misrach: Golden Gate, Aperture, New York City, 2005 (second edition). Richard Misrach: On The Beach, Aperture, New York City, 2007. Destroy This Memory, Aperture, New York City, 2010. 1991, Blind Spot/Powerhouse Books, 2011. Petrochemical America (with Kate Orff), Aperture, New York City, 2012. Richard Misrach: Golden Gate, Aperture, New York City, 2013 (third edition). 11.21.11 5:40pm, Fraenkel Gallery, San Francisco, CA, 2013. IPhone Studies: Reverse Scrubs, Nazraeli Press One Picture Book No. 82, Portland, OR, 2013. Misrach, Nazraeli Press (Six by Six), Portland, OR, 2014. Petrochemical America (with Kate Orff), Aperture, New York City, 2014 (paperback edition). Assignment No 2 (Michael Nelson with Richard Misrach and Hiroshi Sugimoto), TBW Books, Oakland, CA, 2014. The Mysterious Opacity of Other Beings, Aperture, New York City, 2015. Photographers’ References: Richard Misrach, Photographers’ References, Paris, France, 2016. Border Cantos by Richard Misrach and Guillermo Galindo; with an introduction and texts by Josh Kun. Aperture, New York City, 2016. Amon Carter Museum of American Art. Los Angeles County Museum of Art: 17 prints. Metropolitan Museum of Art: 7 prints. Museum of Fine Arts, Houston: 149 prints. Museum of Modern Art, New York: 31 prints. National Gallery of Art: 130 prints. Art Institute of Chicago: 30 prints. Whitney Museum of American Art: 18 prints. Christie’s, Sale 2368, Photographs, 13 December 2010, New York, Rockefeller Plaza, Lot 23. 1949? White Man Contemplating Pyramids, 1989? Chromogenic print, printed 1991? Signed, titled, dated and numbered’16/25′ in ink (in the margin)? 18 3/8 x 23 1/8in. 46.5 x 58.7cm. Christie’s Sale 2205, The American Landscape: Color Photographs from the Collection of Bruce and Nancy Berman, 7 October 2009, New York, Rockefeller Plaza, Lot 37, RICHARD MISRACH B. 1949? The Santa Fe, 1982? Chromogenic print, printed 1995? Signed, titled, dated and numbered’9/10′ in ink (in the margin)? 38 x 47½in. 96.5 x 120.7cm. Christie’s Sale 2205, The American Landscape: Color Photographs from the Collection of Bruce and Nancy Berman, 7 October 2009, New York, Rockefeller Plaza, Lot 38, RICHARD MISRACH B. 1949? Drive-In Theatre, Las Vegas, 1987, from American History Lessons? Chromogenic print, printed 2005? Signed, titled, dated and numbered’16/25′ in ink (in the margin)? 18¼ x 23¼in. 46.4 x 59.1cm. Christie’s, Sale 2125, Contemporary Photographs, 13 October 2008, New York, Rockefeller Plaza, Lot 44. 1949? Diving Board, Salton Sea, 1983? Chromogenic print, printed 1984? Signed, titled, dated and numbered’26/50′ in ink (in the margin)? 18¼ x 22 7/8in. 46.4 x 58.2cm. Sotheby’s, NY, Oct 5, 2011 N08775, Lot 183. STRANDED ROWBOAT, SALTON SEA. Oversized chromogenic print, signed, titled, dated, copyrighted, and editioned’6/10′ in ink in the margin, mounted, framed, 1983, printed in 1994 (Chronologies, unpaginated). 28 by 34 3/8 in. Sotheby’s, NY, April 6, 2011 N08730, Lot 121. 14¼ by 14¼ in.

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Produced by John S. Bolles Associates for the City Planning Commission of the City in cooperation with the San Francisco Port Authority, 1968. From the Introduction: The City of San Francisco and the San Francisco Port Authority have determined that it is essential at this time to ensure full use of its waterfront in a manner consistent with the waterfront’s position as a unique and irreplaceable resource of not only the City but the entire Bay Area. The purpose of the Northern Waterfront Plan is to guide future development in all areas on and contiguous to the harbor in a manner consistent with the interests of San Francisco. The plan must provide mechanisms and guidelines whereby public and private interests can work together to fulfill the social, economic and physical objectives with maximum benefit for all. The challenges posed by this study have been to integrate an authentic maritime atmosphere into the character and fabric of the City, and to capture in a strong and positive manner the unique opportunities for imaginative and dramatic development of San Francisco’s waterfront. Hardcovers, no dustjacket as issued, 11×14 inches oblong, 146 pages. Contains 85 ILLUSTRATIONS including maps, drawings, photos and architectural renderings. GOOD condition, the covers are rubbed and scraped but still solid and doing their job well, there is some wear and a small hole to the front free endpaper, some of the inner hinges are cracked and a bit weak but still holding (this book is known for its weak glue binding), otherwise the inner pages are bright, clean, clear and unmarked. This is the plan that guided the transformation of San Francisco’s Northern Waterfront from the ugly, elevated freeway, desolate area that it was, into the techie mecca of expensive lofts, sailboats, and foodie playgrounds, that it is today.

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Produced by John S. Bolles Associates for the City Planning Commission of the City in cooperation with the San Francisco Port Authority, 1968. From the Introduction: The City of San Francisco and the San Francisco Port Authority have determined that it is essential at this time to ensure full use of its waterfront in a manner consistent with the waterfront’s position as a unique and irreplaceable resource of not only the City but the entire Bay Area. The purpose of the Northern Waterfront Plan is to guide future development in all areas on and contiguous to the harbor in a manner consistent with the interests of San Francisco. The plan must provide mechanisms and guidelines whereby public and private interests can work together to fulfill the social, economic and physical objectives with maximum benefit for all. The challenges posed by this study have been to integrate an authentic maritime atmosphere into the character and fabric of the City, and to capture in a strong and positive manner the unique opportunities for imaginative and dramatic development of San Francisco’s waterfront. Hardcovers, no dustjacket as issued, 11×14 inches oblong, 146 pages. Contains 85 ILLUSTRATIONS including maps, drawings, photos and architectural renderings. GOOD condition, the covers are rubbed and scraped but still solid and doing their job well, there is some wear and a small hole to the front free endpaper, some of the inner hinges are cracked and a bit weak but still holding (this book is known for its weak glue binding), otherwise the inner pages are bright, clean, clear and unmarked. This is the plan that guided the transformation of San Francisco’s Northern Waterfront from the ugly, elevated freeway, desolate area that it was, into the techie mecca of expensive lofts, sailboats, and foodie playgrounds, that it is today.

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Note : Any images shown are stock photographs and product may differ from what is shown. You are purchasing a Acceptable copy of’Berlitz Traveller’s Guide San Francisco and Northern California. This books may have stickers, highlights, or light wear. Books may also be Ex-library copies and are marked accordingly.

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Produced by John S. Bolles Associates for the City Planning Commission of the City in cooperation with the San Francisco Port Authority, 1968. From the Introduction: The City of San Francisco and the San Francisco Port Authority have determined that it is essential at this time to ensure full use of its waterfront in a manner consistent with the waterfront’s position as a unique and irreplaceable resource of not only the City but the entire Bay Area. The purpose of the Northern Waterfront Plan is to guide future development in all areas on and contiguous to the harbor in a manner consistent with the interests of San Francisco. The plan must provide mechanisms and guidelines whereby public and private interests can work together to fulfill the social, economic and physical objectives with maximum benefit for all. The challenges posed by this study have been to integrate an authentic maritime atmosphere into the character and fabric of the City, and to capture in a strong and positive manner the unique opportunities for imaginative and dramatic development of San Francisco’s waterfront. Hardcovers, no dustjacket as issued, 11×14 inches oblong, 146 pages. Contains 85 ILLUSTRATIONS including maps, drawings, photos and architectural renderings. GOOD condition, the covers are rubbed and scraped but still solid and doing their job well, there is some wear and a small hole to the front free endpaper, some of the inner hinges are cracked and a bit weak but still holding (this book is known for its weak glue binding), otherwise the inner pages are bright, clean, clear and unmarked. This was the beginning of the transformation of San Francisco’s waterfront from an ugly, elevated freeway framed, desolate area, into the techie mecca, sailboats and uber expensive lofts, and playgrounds for the rich, that it is today. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “blankversobooks” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Republic of Croatia, Malaysia, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam.

• Year Printed: 1968
• Country/Region of Manufacture: United States
• Topic: San Francisco, City Planning, Urban Design
• Binding: Hardcover
• Region: North America
• Author: John S. Bolles Association
• Subject: San Francisco
• Original/Facsimile: Original
• Language: English
• Publisher: City of San Francisco Port Authority
• Place of Publication: San Francisco, California
• Special Attributes: 1st Edition, Illustrated

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Produced by John S. Bolles Associates for the City Planning Commission of the City in cooperation with the San Francisco Port Authority, 1968. From the Introduction: The City of San Francisco and the San Francisco Port Authority have determined that it is essential at this time to ensure full use of its waterfront in a manner consistent with the waterfront’s position as a unique and irreplaceable resource of not only the City but the entire Bay Area. The purpose of the Northern Waterfront Plan is to guide future development in all areas on and contiguous to the harbor in a manner consistent with the interests of San Francisco. The plan must provide mechanisms and guidelines whereby public and private interests can work together to fulfill the social, economic and physical objectives with maximum benefit for all. The challenges posed by this study have been to integrate an authentic maritime atmosphere into the character and fabric of the City, and to capture in a strong and positive manner the unique opportunities for imaginative and dramatic development of San Francisco’s waterfront. Hardcovers, no dustjacket as issued, 11×14 inches oblong, 146 pages. Contains 85 ILLUSTRATIONS including maps, drawings, photos and architectural renderings. GOOD condition, the covers are rubbed and scraped but still solid and doing their job well, there is some wear and a small hole to the front free endpaper, some of the inner hinges are cracked and a bit weak but still holding (this book is known for its weak glue binding), otherwise the inner pages are bright, clean, clear and unmarked. This was the beginning of the transformation of San Francisco’s waterfront from an ugly, elevated freeway framed, desolate area, into the techie mecca, sailboats and uber expensive lofts, and playgrounds for the rich, that it is today. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “blankversobooks” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Republic of Croatia, Malaysia, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam.

• Year Printed: 1968
• Country/Region of Manufacture: United States
• Topic: San Francisco, City Planning, Urban Design
• Binding: Hardcover
• Region: North America
• Author: John S. Bolles Association
• Subject: San Francisco
• Original/Facsimile: Original
• Language: English
• Publisher: City of San Francisco Port Authority
• Place of Publication: San Francisco, California
• Special Attributes: 1st Edition, Illustrated

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